This is essentially an equivalent to John Cage's experimental " Four minutes, thirty-three seconds" (1952), in which the ambient noises in the room (furnished by the audience) throughout that brief period of time are considered the work. The idea that the work of art would be completed by the audience did, however, have antecedents in music. ![]() Relinquishing her status as the author and empowering the public to complete the work was an incredibly radical concept for the time. Exhibited in 1966 in a gallery in London, the work was considered finished when the surface was completely covered in nails. Directions for the work ask the viewer to hammer a nail into the panel, and wrap a strand of his or her hair around it. Nearby is a chair, with a jar of nails on it. Connected to the canvas is a hammer hanging from a chain. This work consists of a canvas on a wood panel. Following these instructions is an active part of making the work. Ono's most well-known works of the early 1960s are her "instructional pieces," so-called because the viewer is given instructions to follow. She assisted him in moving away from the mainstream that the Beatles had previously inhabited, and encouraged him to develop an independent voice as a composer and musician.
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